Up next in 10
Mr. Choc Reflects on 30 Years of LA Hip-Hop Legacy 🎧 | SWAY’S UNIVERSE
Aug 30, 2025
Step into the legacy of LA hip-hop with this exclusive interview on Sway In The Morning featuring the legendary Mr. Choc! 🎧 In this special episode, Mr. Choc reflects on his 30-year journey through LA's vibrant music scene, from the golden era of the '90s to the enduring impact of DJ culture. Hear untold stories about iconic moments, the rise of underground mix shows, and his pivotal role in shaping the careers of artists like Kendrick Lamar and TDE. Discover how Mr. Choc and the Beat Junkies continue to preserve the culture through the Beat Junkie Institute of Sound, teaching the next generation the art of vinyl DJing. Plus, reminisce about unforgettable milestones, from the Fantastic Four’s Friday Night Flavors to legendary collaborations with Sway and King Tech. Don't miss this heartfelt and inspiring conversation celebrating National Radio Day and the incredible contributions of DJs to the hip-hop movement. Hit subscribe for more exclusive interviews and stay tuned for more from Sway's Universe! #music #educationalvideos #undergroundhiphop #musicpodcast #historyofmusic CHAPTERS: 00:00 - DJ Choc Is Here! 01:15 - Sway and DJ Choc Reflect on Early Radio Days 06:30 - DJ Choc’s Vinyl DJ School Importance 08:29 - Beat Junkies Influence 09:56 - LA Hip-Hop Scene Insights 12:12 - Mic Masters Showcase 13:17 - Biggie Freestyle Highlights 16:47 - Conclusion and Key Takeaways 16:50 - Mr. Choc Live Performance Set 17:53 - Where to Find Mr. Choc Online
View Video Transcript
0:00
Yeah, man. Give it up, man. One and
0:02
only, the legendary Mr. Chock just came
0:04
out of the mix. LA's finest citizens.
0:07
I've known this man for 30 plus years.
0:09
30 plus.
0:10
30 plus. I watched him as a a little Mr.
0:13
Chalk.
0:14
Yeah. Yeah. Young young Chalk.
0:15
Young Chalk. Chock. Become Big Chuck.
0:18
But thank you for that guest appearance
0:19
today. Give it up for Mr. Chalk one more
0:21
time.
0:21
I told you earlier, Sway, if I see the
0:23
the the bat signal in the air, I'm
0:25
coming, man. You know what I'm saying?
0:26
And I know we've been trying to make
0:27
this happen for a minute, but I'm very
0:29
very grateful for you having me up here
0:30
this morning. Thank you so much, sir.
0:31
Well, it's important, man. You're
0:33
important to the fabric uh the history
0:36
of the LA uh music scene, radio scene,
0:40
DJ scene.
0:41
You know, you're an educator as well. Uh
0:44
you you you've been ushering young
0:46
artists, young creatives into the field
0:49
of DJing
0:50
and and then teaching life lessons
0:52
through that. You know what I mean? And
0:54
so it's it's only right that we bring
0:56
you on this show.
0:57
Being back here in Cali has been a
0:59
wonderful experience.
1:00
Yeah. Welcome back, man.
1:01
Thank you, man. I appreciate it.
1:03
I missed you, man. I see you on the
1:04
screen all the time and I'm like, man, I
1:06
know that brother right there. We we
1:08
we've been in the trenches together.
1:09
We've been in the trenches, Ch. Come on,
1:11
man. And thank you. Love you, too. All
1:13
right. And uh you can turn that music
1:15
down a little for me. Um, um, Tyler, um,
1:17
I just want folks to know I I like to
1:20
repeat history because, as you see,
1:21
we're in an era where people are trying
1:23
to
1:24
erase it.
1:24
Erase history.
1:26
And you and I, we met in the '9s, the
1:29
early 90s during a golden era of Today
1:32
is National Radio.
1:34
We're celebrating National Radio Day.
1:36
You know, I I don't even remember some
1:37
of these these days becoming like
1:39
special celebration events, whatever.
1:41
So, I I didn't know it was National
1:42
Radio Day.
1:42
It's National Radio Day. Uh, shout a
1:45
shout out to Greg Street who checked in
1:47
with me earlier. Gregomie, one of the
1:50
legends, right? One of the people who's
1:52
been doing this longer than us.
1:54
Yep. Yep.
1:54
Is Greg Street.
1:55
Legendary. What up, Greg?
1:57
We came on the show came on radio 1990,
1:59
King Tech and I up in the Bay,
2:01
right? And was at a time when what we
2:04
would what we all do today, Chock,
2:06
wasn't really allowed on mainstream
2:08
radio, right?
2:09
Not at all. I mean, think about it like
2:10
like where everything was at. like you
2:12
started off with a specialty show, a
2:14
specialy underground hip-hop show. Same
2:16
thing with me. Started with underground
2:17
specialty mix mix show on on commercial
2:20
radio. So to see it,
2:22
so to have those shows propel us to
2:24
where we're at today in this day and
2:25
age, man, I'm I mean, I'm grateful, man.
2:27
That's all I can really say. I'm so
2:28
grateful.
2:29
And for those who don't understand what
2:31
a specialty show, what follows?
2:33
Yes.
2:34
What what the description of a specialty
2:36
show would be something
2:37
something it's just like a mix show
2:38
that's outside of the regular format of
2:40
radio. So you hear like regular rotation
2:42
some some of the same songs all day
2:44
especially mix show is something that
2:45
like you get like an artist or or a
2:48
personality gets like two or three hours
2:49
to do what they want to do. Sometimes
2:51
they have rules but with us on the
2:53
underground mix show uh we didn't have
2:55
any rules as far we could play with
2:56
whatever we wanted which was dope. What
2:58
I loved about you know having a an
3:00
underground mix show you know specialy
3:02
show.
3:02
You and C minus used to do a show.
3:04
Yes. um myself, C minus, Trulliad, and
3:06
JRock. We actually just did a Fantastic
3:08
4 reunion at Rhyme Fest this past
3:10
weekend, and uh we hadn't been, you
3:12
know, we had done a couple of reunions
3:13
before on Adventures of Stereo, which is
3:15
JRock's radio show. Uh but that was our
3:17
first official like uh reunion like in
3:20
front of the people since like we had
3:21
left Power 106 in
3:23
' 06.
3:24
In ' 06. And so the people haven't seen
3:26
you two together in you four together in
3:28
19 years.
3:29
Yeah. 19 years. Yeah. Yeah. Yeah. So it
3:32
it was good, man. We had Psycho Le from
3:34
the Beats come out with us also too,
3:35
man. We were well very wellreceived,
3:37
man. Shout out to Scooby runs LA and and
3:40
all the whole Ryfest family over there,
3:41
man. Rhyfest was amazing.
3:43
Congratulations to Rhyme Fest. That's
3:45
that's that's LA's
3:47
that's LA.
3:48
That's LA's right there.
3:49
Right there, just so you know. And then
3:50
um and they do excellent work over there
3:52
at Rhyme Fest.
3:53
Oh yeah.
3:53
Um and so what was the name of the was
3:56
the Fantastic Four?
3:57
Friday Night Flavors with the Fantastic
3:58
Four. Yes. Baker Boy started on Friday
4:00
Night Flavors in '93 and then they
4:02
brought us on around 9798 and then we
4:05
took over our and called ourselves the
4:07
Fantastic Four myself JRock Truly C
4:10
minus and uh yeah it was fantastic
4:13
4. Now, if you go back to 93, 94, 95,
4:16
there was an explosion in LA radio. I
4:19
know we came down um 94 King Tech and I
4:22
came down um with the 7:00 bomb and we
4:25
were doing the wakeup show. Yeah.
4:27
And we had another show called Digging
4:28
in the Crates that we used to do on
4:30
Sundays. But then you had the likes of
4:32
Mike Nardone.
4:33
Oh yeah. King M.
4:34
King.
4:35
In fact, let me say something about
4:37
those two brothers right there. Before I
4:38
got on Power 106, my first time being on
4:40
LA radio was on the joint. I was a guest
4:42
DJ on their show like in '94.
4:45
You know what I'm saying? And we
4:46
officially got hired at Power 106 in
4:48
'95. Okay.
4:49
But 94 my first time being on LA radio
4:51
was on the joint with King M and Mike
4:53
Nardone. Shout out to those brothers.
4:54
And that was on 92.3 to beat. Yes, it
4:56
was. So you had two anchor stations in
4:59
our genres which was 92.3 to beat and
5:02
Power 105, right? Power 106.
5:04
Power 106. I'm sorry. I'm thinking New
5:06
York by coastal
5:07
track 105. I know what it is, man. I got
5:09
you. I got you. Swag. You know, Heather,
5:10
I've been a lot of, you know, a lot of
5:12
markets. HP, a lot of markets.
5:15
It all It all becomes a blur after a
5:16
while. You know what I'm saying? Sway's
5:18
been doing this for a long time.
5:20
No, but I, you know, and and and in that
5:24
even though it was the natural
5:26
competitive spirit that comes along with
5:28
the culture,
5:30
we all contributed in ascending the
5:33
culture to heights it had never seen. We
5:36
created an ecosystem where people would
5:38
go by Friday night flavors, they'll go
5:40
by the joint, they'll go by uh they'll
5:43
go by uh Ruthless Radio. Um they'll come
5:46
by the wake up show
5:47
Divine Forces.
5:48
Divine Forces, you know, um who you know
5:51
and and even though we were on opposite
5:53
sides of the fence,
5:55
we all worked together in creating a
5:57
magnificent bubble.
5:59
Yeah. Yeah. Right.
6:00
You know what's funny, man? back when we
6:01
were back in our day when we were doing
6:03
radio and you were on 92.3 the beat and
6:04
I was on Power 106. People used to
6:06
always think that oh they don't like
6:07
each other man cuz they're on different
6:08
radio said no it was just call letters
6:10
man like we we've known each other and
6:11
respected each other for for years
6:12
before we even got on radio. So you know
6:15
like just because we have call letters
6:16
with different stations didn't mean that
6:17
we were at war with each other and
6:18
nothing like that at all man. We have
6:20
much much respect for for everybody
6:23
that's doing this no matter what station
6:25
you're on. You know what I'm saying? Cuz
6:26
those call letters will go away and we
6:27
still got to be homies after that.
6:29
We still got to be homies man. Elements.
6:31
Um, remember Elements? It was a lot of
6:34
clubs that used to um Unity.
6:36
Unity.
6:36
Oh, man. Water the Bush.
6:38
I mean, I could go on and on and on,
6:40
man. But there's a lot of legendary
6:41
clubs that happen, a lot of legendary
6:43
functions that happened here in Los
6:44
Angeles before hip-hop.
6:45
Yeah. And And so is um now that you fast
6:48
forward 2025, you have the school that
6:51
you're doing. And if people want to
6:53
look, if you want to get involved in the
6:54
culture, best way to me to go is through
6:57
DJ culture. It's a great way to learn
6:59
about the culture because through the
7:00
music and um you're going to learn about
7:02
the history, right?
7:04
Yeah. Yeah. We're going to give you the
7:04
brief history. We're going to show you
7:05
about music theory. Uh and just show you
7:08
the right way. We start people off on
7:09
vinyl before you actually even get a
7:11
chance to transition to the computer.
7:12
So, a lot of people think that I just
7:14
want to be on the we want to be a DJ and
7:15
think this is about having the computer
7:16
in front of them. No, no, not at all.
7:18
We're going to show you how we came up
7:19
the same way we came. We're selftaught.
7:21
So, we learned on vinyl first before
7:23
Sorado got even introduced. But why is
7:25
that important that people
7:27
because because there's certain things
7:28
that will definitely like you could
7:30
start becoming dependent on when you're
7:32
on sorado. So you'll become a screen
7:33
watcher. You're not really using your
7:34
ears. And when you're DJing, you're
7:35
supposed to be using your ears, not your
7:37
eyes. You know what I'm saying? Of
7:38
course, you're going to use your eyes to
7:39
do like things like on the mixer on on
7:41
records and stuff, but when you're using
7:43
your ears, you're supposed that will
7:44
help you follow when you're doing a
7:46
transition or whatever. It gets your
7:48
timing better. Starting off on vinyl
7:50
first is very very important when you
7:52
want to become a DJ. For sure. you that
7:53
have the and and if you got kids who got
7:56
ADHD or you know have problems finding
7:59
hobbies or um just you know got a lot of
8:02
energy learning how to DJ
8:05
it's a great way to teach your child how
8:07
to focus.
8:07
Oh yeah.
8:08
And the skills you learn through DJing
8:10
transcends in other uh sections of
8:12
society.
8:13
For sure. It teaches you discipline
8:15
because like you you want to learn how
8:16
to do a certain technique, you got to
8:17
put the time in. You got to put the work
8:18
in. You got to be dedicated to putting
8:20
that time in too. can't get lazy like I
8:22
can't get it and just give up. No, the
8:24
thing is like you want to learn how to
8:25
DJ, you have to be really dedicated to
8:27
practicing and putting in the time.
8:29
What do you think one of the biggest
8:31
milestone moments for you in your career
8:33
and and for the beat junkies as a
8:35
collective has been?
8:36
I mean, we've had a lot of lot of wins,
8:38
man. I I I can't really put put it to
8:40
point my finger to one thing. I mean, we
8:42
have multiple businesses now. We got a
8:43
pizza place in Redlands called Made from
8:45
Scratch, which is Melody Dst Styles over
8:48
there. Okay. and Baboo and and myself
8:50
and and uh JRock and Repatic at the Beat
8:52
Junkie Institute Institute of Sound in
8:54
Glendale. So, you know, like I think
8:56
just, you know, winning all the battles
8:58
back in the day, being on the radio,
8:59
touring with artists and all that. I
9:00
mean, again, a lot of wins, man. I can't
9:02
really I can't really put it on one
9:03
thing like, oh, we you know, but I think
9:05
what we're doing now with again with the
9:07
multiple businesses, the school and the
9:08
pizza place, I think that's definitely a
9:10
big win for us as we get we've become
9:13
elders now. Okay.
9:14
You know, right? We are that man, aren't
9:16
we? I feel like horse went to a party in
9:18
in Glendale with the beat junkies party.
9:21
He horse was there.
9:22
He did. That that was um we do a party
9:24
called uh records on people music RPM
9:26
and we take a a specific album and we
9:28
just break down the history of the
9:29
album. There's certain artists that or
9:31
people that were involved in an album.
9:33
We'll have them come and speak on it and
9:34
like what was the process of of putting
9:36
that album together. We've done it for
9:37
Nas. We did it for um Blue and Exile. Uh
9:40
we did it for Sound Bombing 2. We've
9:42
done it for a bunch of artists and
9:43
that's just a monthly party that we do
9:44
at the school just for the community.
9:46
It's monthly. Yeah. Okay. Where is the
9:48
school and how can people join?
9:49
Glendale, California, 5130 San Fernando
9:52
Road. U beatjunkiesound uh.com is how
9:55
you can sign up to the school.
9:56
Okay.
9:56
Definitely there.
9:57
When we were coming up, you know, um
10:00
Death Row was making its mark, right?
10:03
Uh Funk Dubious was making their mark.
10:06
Cypress Hill was making their mark. The
10:08
Al the Liquid Crew was making their
10:10
mark. You know, it was a lot of marks
10:13
being made in LA.
10:14
Marks were all over the place.
10:15
Yeah. The barber shopping MC's, you
10:18
know, Phil Agony and all of those guys,
10:20
you know, Kondon and Strong Arm Steady.
10:23
All of this stuff was coming up um at
10:25
the same time cementing and and and
10:29
fortifying the LA hip hop scene even
10:32
more so. U which started in the 80s
10:35
obviously, but we were we picked it up
10:37
in the 90s. A lot of us when you look at
10:40
the LA scene now, who are those people
10:43
that make you that make you smile? That
10:46
dilated,
10:47
Jurassic 5, um, Defar Eye, Strong Arm
10:51
Steady. I mean, these are people that
10:52
when we were doing our specialty show,
10:54
um, we're just getting started. So, it
10:56
was very important for us to start
10:57
playing these records. And, you know,
10:58
like we were we were performing with
10:59
them also too on different shows around
11:01
the city. So it was important for us to
11:03
play these records on the radio because
11:04
they weren't getting besides like you
11:06
guys the wake up show and us that those
11:08
only places that were getting played
11:09
here in LA. So seeing those those those
11:11
artists become household names now
11:13
I feel good about that man. I'm very
11:14
proud of all those artists but I'm also
11:17
glad of our contribution to them getting
11:20
to where they're at right now too. And
11:21
when you see what the new artists are
11:23
doing, especially lead leading the way
11:25
being, you know, someone like TDE and
11:27
Kendrick and J and Absole and all these
11:30
guys, for real, for real, all these
11:33
different folks, you know, that are
11:34
really stepping out, Tyler the Creator,
11:37
you know, what are your thoughts on on
11:39
the LA?
11:40
I love it. I love to see where where
11:42
everything is at. You know, I got a
11:43
chance to DJ with Kendrick uh DJ for
11:46
Kendrick for the um what was that? The
11:48
the cipher that he did on BET. So, I did
11:51
that and so I was already like up on
11:53
Kendrick before I did that, but still
11:55
like seeing like all those artists that
11:57
you named it just makes me proud, man.
11:59
I'm just very happy to see the movement
12:01
still going on. What we were doing in
12:02
the '90s definitely I could tell like a
12:04
lot of the artists that are out right
12:05
now were inspired by those artists and
12:07
those household names I just named right
12:08
now. So, to see them like taking it to
12:11
the next level, man, I'm proud. LA baby
12:13
all day.
12:14
LA baby. And then when you think about
12:15
the microphone and you look at um people
12:19
like Bootleg Kev and Shout out and you
12:22
got to shout out DJ Head and Gina View,
12:26
all these these new voices that are now
12:29
stepping in the forefront. Um what do
12:31
you see in them? And then um if you
12:34
could offer something to them as
12:37
I think they're all doing a great job. I
12:39
love what they're doing for the
12:40
community here in Los Angeles and for
12:41
again the artists that are that are not
12:43
getting heard across the country or
12:44
whatever. So what what they're
12:46
contributing to the LA culture right now
12:48
is is needed. It's definitely needed and
12:50
it's appreciated. So I definitely my
12:52
hats off to all those guys. I salute
12:53
everybody and for real I'm just proud to
12:55
see it still going on from what we were
12:57
doing in the '90s and to see them
12:59
inspired from some of that from someone
13:01
people who were listening to Wake Up
13:02
Show and Friday Night Flavors to see
13:03
them take it to the next level where
13:04
it's at right now. I mean, think about
13:06
like if we had all these cameras and
13:08
everything back in the day. Think about
13:09
where all our shows would be at right
13:10
now. You know what I'm saying?
13:11
Oh my gosh. And how about the wake up
13:14
show? We did have cameras.
13:15
Yeah, you did. You did. Yeah, you did.
13:17
You did. You know, it's funny. I was
13:18
watching uh the Biggie uh uh interview a
13:21
couple of days ago when you guys had
13:22
Biggie up and like one of the only shows
13:24
that had Biggie come up and freestyle
13:25
on, man. And that's just what a classic
13:27
moment that was, man. What an amazing
13:29
classic moment that was,
13:30
man. And I look at it and I see the
13:31
younger versions of us and we had no
13:34
idea. No idea
13:35
how classic that moment would become.
13:37
Yeah, but boy is it.
13:38
Boy,
13:39
he talk about it today, man.
13:41
Check it out.
13:42
And what I love about it too,
13:44
oh, there he is right there. Y
13:45
you know what I mean? My man Tekken
13:47
Sway.
13:49
World famous wake up show. You know we
13:51
balling out here in Cali. You know, East
13:53
Coast dawn in the house,
13:54
right?
13:56
You know what I loved about that that
13:58
interview also too with with Biggie was
14:00
that you guys showed him the cough
14:02
button
14:03
and so when he was rapping he was doing
14:05
all his his like he was rapping like he
14:07
he was um muting the the curse words
14:10
himself
14:10
live
14:11
live while he was busting. So yeah
14:15
mouth now ain't nothing changed. I'm
14:16
still the same rapper the cough button.
14:18
Show him the cough the cough button
14:20
right there right button.
14:24
This my right here.
14:25
All right. All right.
14:26
What a professional. Wow.
14:28
At such an early young age, too. He was
14:30
young.
14:30
But play that. I want to hear what he
14:31
did with it. Go ahead. Go ahead. Play.
14:33
Play that.
14:35
Instantly we tre
14:40
comes in.
14:42
I'm flaming aiming at these maniacs. Put
14:46
my name in rap. The game is that like
14:49
you hustle backwards. I smoke backwards
14:51
and duties. You can't touch me. Try to
14:53
rush me. Slugs go touchy touchy. You're
14:55
bleeding lovely with your spirit above
14:58
me or beneath me. Your whole life you
15:00
live sleepy. Now you rest eternally
15:02
sleepy. You burn when you creep me. Rest
15:04
where the worms and the weak be. My nine
15:06
flies baptize rap guys with the Holy
15:09
Ghost. I put holes in most. You hold
15:11
your toes shaky. Slipping trying to
15:13
break me. Look what you made me do.
15:15
Brains blue. My team in the marine blue.
15:18
Six coupe. Ski it out. Weed it out.
15:23
See the mutes?
15:24
Yeah,
15:25
he keeps hitting the cough button.
15:26
Yeah, he kept hitting the cough button.
15:27
We were looking at him while he was
15:29
doing it in awe.
15:30
In awe. Like I cannot believe he was
15:32
doing this. Um,
15:34
but man, what a moment for the moment.
15:35
What a moment for y'all. You know what
15:37
I'm saying? For the wake up show and for
15:38
hip hop period. You know what I'm
15:39
saying? Like like Biggie was one of one.
15:42
And it was just again just going back
15:44
and looking at some of the that old
15:45
footage, man. Just really made me
15:46
appreciate where we come from.
15:48
Yeah, man. You know, where we come from.
15:50
where we come from. Come on, man. Where
15:52
we come from and the fact that we are
15:55
still here. We're still making things.
15:57
We're still creating and it's even more
16:00
fun that we could have more people
16:02
contribute. But salute to some of the
16:05
soldiers that are still holding it
16:07
steady. You got to give Big Boy a big
16:09
round of applause.
16:10
Big boy. Big boy. Big boy.
16:11
That's my brother right there, man. I'm
16:13
so happy for his success. So happy for
16:15
that brother,
16:16
man. how far he's come and to be able to
16:18
sustain through the eras um is something
16:21
to be said. You know, we mentioned Greg
16:23
Street, you know, salute to Greg Street,
16:26
man, and still at the top of his game,
16:28
man. I have to shout out my brother
16:31
Ebro, who I know started early 90s from
16:34
Northern Northern California and still
16:37
like just excelling, you know, all of
16:39
these people we came up with. Um, it's
16:41
just really who did this in the early
16:44
'9s to now is really amazing to see. So
16:48
on National Radio Day, we honor you, Mr.
16:50
Chop.
16:51
We honor you for your contribution. I'm
16:53
so humbled,
16:54
man. Brother, come on, man. Give it up
16:56
for Mr. Chop.
16:57
I am so humbled, man. Again, when I got
16:59
the when I got the call and I was like,
17:00
"A word. Okay." I I think about it, make
17:03
sure my schedule's cool. I said, "You
17:04
know what? I'm no matter what, I'm going
17:05
to clear my schedule. We're going to
17:06
make this happen." This is like the
17:07
third time Cats have called me to come
17:08
up there to do the Sway show. So, I'm
17:10
I'm going this time. Nothing stopping
17:12
me. And here I am. And I didn't even
17:14
know what I was coming up here for.
17:15
You had no idea. You had no idea. That
17:18
That's the beauty of it. But man, I I
17:20
want to tell you I love you.
17:21
I love you, too. You're my brother. And
17:23
you know, King Tech, you got a special
17:24
place in our hearts,
17:26
man. Man, man, always, man. I love all
17:27
y'all, man. And and shout out to Tech,
17:29
man. Again, Tech really helped me get
17:31
like really healthy back in the day like
17:32
in 0405. I used to go and work out with
17:34
him at Big Paul. Rest in peace all the
17:36
time, man. And just like Yeah, just good
17:38
to see y'all. Thank you for the invite.
17:39
Thanks for having me on the show. I'm
17:41
I'm I'm honored and and humbled to be up
17:43
here and a rock out for the world. So,
17:45
shout out to everybody that was
17:46
listening. Shout out to you, Sway. Shout
17:48
out to Heather B, everybody up in here
17:50
on Sway's universe. Man, I appreciate
17:52
and love y'all. Thank y'all.
17:53
Thank you, Mr. Chalk, man. Hey, tell
17:54
them where they can follow you, Mr.
17:55
Chalk.
17:56
Uh, Mr. Chalk, the real Mr. Chalk um on
17:59
IG and u Mr. Chalkan 4 on X. And, uh,
18:02
yeah, I'm on Facebook also, too. Mr.
18:04
Chalk fan page. And, uh, yeah, man.
18:06
Bjunky Institute of Sound in Glendale.
18:07
You want to learn how to DJ, come see
18:09
us. will get you right.
18:10
That's right, man. And he'll be back and
18:12
we going to have some of those students
18:13
come up here and show what they got. Oh,
18:15
yeah. Okay. That's what's up, man.
#Entertainment Industry
#Recording Industry
#Urban & Hip-Hop