0:00
Ladies and gentlemen, man, let's give a standing ovation for our next guest here, man
0:04
Hold up, man. They've been through so much, man. I'm going to stand up with y'all
0:08
Stand up with us, man. Come on, man. Stand up with us, man
0:13
Because I know what this man is speaking on. First of all, I want to say welcome
0:18
Thank y'all. Thank you. Welcome. Welcome to this, to our space. Welcome to our home
0:25
Appreciate it. Brother, you've been my brother. for a long time. Long time
0:33
Long time, man. And just to see you in person and to see your skin glow
0:39
That's big. You know what I mean? I know what's behind that glow
0:42
Yeah, just look you in your eyes and see them sparkle, bro. Righteous
0:47
I know what's behind that. You know what I mean? Yes, sir. So to be in your presence today
0:52
I have goosebumps. To see the two of you together today, I have goosebumps
0:58
because we go back as well. Right. Okay? Right. Me and your wife go back as well
1:04
Yes, sir. Okay? Yes, sir. So this is a family reunion that's happening right now
1:08
and what people may not realize, even when this union happened, you know, as we played in this clip, you know
1:16
that was a healing that was taking place in Long Beach. It was. Right? That was something nobody ever anticipated because of where y'all was from
1:24
Mm-hmm. They didn't see you working in unison. No. And that started over 20 years ago, 20-plus years ago
1:31
20-plus years later, y'all still in unison. Let's go. Come on now
1:35
That's the bigger picture for our community, right? That's the bigger picture for the hood, whatever hood you come from
1:41
I want to welcome them to the show officially, ladies and gentlemen
1:45
Give it up for the one and only Trey D. Goldie Loke, the East Siders
1:51
Come on, man. Yo, Trey, what up, man? everything good man you see me man i'm in tune brother i want to walk them up man we were having
2:01
a fun conversation about you all um the other day on the mic you know heather and i were going back
2:06
and forth and i'm messing around with it a little bit but i like to do that so people be inquisitive
2:11
and ask questions of where it all started for y'all you know what i mean because i know both
2:17
you guys were in different crews before being in the east siders right okay goldie let's start with
2:22
true man you wasn't a crew before the east side you didn't you and mca yeah we we did we did that
2:28
uh once uh tradie uh went to prison okay you know uh we got together and did that but uh
2:34
but i come from you know i come from um you know the city of long beach just trying to get mine in
2:40
at a young age you know and then and you know i ran into dog like around the time of uh there's
2:46
no limit time okay okay but i've always been around a little bit before that but once i
2:52
really got effective in what I was doing with him was the No Limit Times
2:56
The No Limit Times. What year was that, bro? You know, 98
3:00
98. You know what I'm saying? Yeah, 97, 98. Okay. And how did y'all
3:05
first meet? We was both recording at Dog House and he was a good
3:14
friend of Snoop's little brother Bing, rest in peace. He passed last
3:18
year. And they used to come up and, you know, Bing was always letting Dog know that, you know, Goldie had something up under him
3:27
And, you know, whenever Dog had time, you know, they would get together on their time
3:31
And we was doing our thing. We actually came together when Dog came back from No Limit
3:36
Okay. And suggested that, you know, he wanted to do an idea that we had once before called the Eastsiders
3:43
And he wanted it to be me, him, and Goldie Lope. Okay. So we got together for the first time
3:49
and us three, me, him, me, Goldie, Locke, and Snoop Dogg, we got together for the first time in 1999
3:55
Okay. And then the EP came out at about 2000, was it
3:59
It was a whole album. The whole album came out. Snoop Dogg presents the East Siders
4:04
The East Siders. So we talking 24 years later. Yeah. Come on, man
4:09
That's a round of applause right there, brothers. You know, we don't see people 24 years later
4:14
Yeah. You know what I mean? So that's a big accomplishment in itself
4:18
Was it East Siders prior to y'all forming? Was it another? Was it East Sider attempt prior to that
4:24
We just recorded one song. Me, Snoop, and Dad recorded a song
4:28
We had the idea that we were going to do a group project
4:33
And the East Siders was the name we came up with. But we never followed through past one song
4:38
So it never materialized. And it wasn't. I don't even look at it as a serious endeavor
4:44
making a project because, you know, there wasn't no follow-up to it
4:48
Okay. Heather had one of the most deep, thought-out questions ever the other day
4:54
when it came to the crew. She didn't understand why y'all were called the Eastsiders being from the West Coast
5:00
Can y'all explain that to her? I don't know what that was. Yo, can somebody break that up
5:04
Yo, because I'm from the East Coast, and I was like, where are the Eastsiders? And then I heard the music, I said, oh, shit
5:10
Yeah, yeah, yeah, Westsiders, yeah, you already know. West side of the coast, east side of the beach
5:16
We from Long Beach, California. We beach boys, but we from the west coast
5:23
But we east siders, you know what I'm saying? And we do this for every east side in the ghetto
5:29
Yeah, we push the east side. Because we was inspired by the west side connection to a degree
5:34
You know, when they dropped, that Bow Down album was so hard
5:40
That was crazy. It was ridiculous. It was like, we got, you know, Dog, I guess Dog felt like, man, we got to do something to represent the homies from the east side
5:50
You know, that's how we followed that up. See, Heather? Yeah. Go ahead
5:58
I'm sorry. No, go ahead. I was going to ask you about this song, The Hood's Been Good to Me
6:03
You know, what was, I love the song. I love the sample. Just be good to me
6:09
You know. That's what it's been. And even when you look at the video, because I was able to watch the movie you guys put together, you know, you even talk about that
6:18
You know, you talk about giving back to the hood and not necessarily giving nothing back, but you're not really tripping on that
6:24
Why is that so important, man? You know, that just keep you going
6:28
You know what I mean? Knowing that, you know, you could take care of other things without tripping too much on what you're going to get from it
6:36
You know what I mean? That take all the fun out of it. and the real love and the joy, you know, out of doing something positive
6:43
So I never look for nothing in return. I just do what I do. You just do what you do
6:48
Yeah, you know, bless people as you go, and, you know, just keep pushing
6:51
You just keep pushing. I love this, man. Goldie Loke, round of applause when I say his name
6:58
Trey D., let me ask you a question, man. You know, things got going, and then eventually you had to face court, right
7:06
Right. And eventually you ended up going behind bars. And it was a very volatile time for you
7:15
I remember reading about, before you going in, how they approached you, how they raided your house
7:20
the whole nine. And then you went inside and decided you had to go inside and do time But when you went inside often I a part of this program called The Last Mile right Okay And we go into different prisons and we teach folks how to code right
7:36
And so if you learn how to code, you go through this process, you got to present a business plan at the end
7:42
and we connected people with different startup companies. Nobody who went through that program has gone back
7:49
So it's 0% recidivism. That's wonderful. I've been going into all these San Quentin, all these different places up and down
7:56
And one of the things people would say, I would say, man, how are you going to make it through
8:00
And it was like, I got to run my right program as long as I'm on the right program
8:04
Part of your program was finding Islam. Part of it was. Talk about that
8:11
What was that? Almost like a transition because to come from where you came from to be where you were and to go in that direction
8:20
What was that like? You almost have to feel like you have to kill your past. You do
8:24
Talk to that. Well, prior to going to prison, I went on tour with Snoop and Minister Farrakhan's security detail was his
8:37
He loaned him to Snoop for his security detail. And, you know, I communicated with the brothers often and, you know, we dialogued about different things
8:46
and me being, me coming up in the hood, it was a mass jid right on 21st Street
8:52
the street that I'm from. So I was always admiring the Muslims and stuff
8:57
for their strength and unity and stuff like that and trying to organize and stand up for the community
9:03
So I always had an affinity for the brotherhood. And I was actually going to the mass jid
9:10
Tony Muhammad on Manchester and Figueroa before I went to prison. So when I finally caught my case and they gave me 12 years, I was despondent
9:21
Yeah, I was I was shattered. I mean, so, you know, I had to really go into myself and see where I wanted to come out of at the end of the you know, at the end of the tunnel
9:35
I knew I had 12 years in front of me to do. And, you know, I really embraced Islam based on gratitude that God had gave me this talent and allowed me to prosper and progress further in life than I ever imagined I would do legally
9:56
Come on. All right. Come on. You know, so that was that was my motivation to become Muslim
10:03
Like, you know, I have to go give God reverence for all these blessings that he's given me
10:09
So I went, you know, to the church a couple of times and I got ran out of there
10:14
You know, just gang member coming in here with, you know, I don't know why all these gang bangers tend to hood up and I'm like, I'm just trying to come get some spiritual enlightenment
10:23
The clergy said that the clergy. Wow. So I'm like, well, let me go somewhere where I might be embraced a little more better
10:31
And that led me to the mass gig. So when I wound up going to prison, you know, I went to a couple of services and things like that
10:39
And I said, you know what? I was reading and studying up on it
10:43
And I said, this would be something that I could incorporate in my life that would give me stability, allow me to maintain focus
10:52
and most of all have a spiritual connection with the most high
10:56
who I kind of like denied most of my life. Because, you know, going in and out of jail
11:01
I was telling Fuzzy backstage, you know, in the green room, I've been going to jail since 11 years old
11:07
So instead of taking accountability for my own actions, you know, I blamed God and everybody else
11:13
You know what I mean? So when I finally got older and more mature and realized that I was, you know
11:19
responsible for all the decisions I had made, It was just a natural transition for me to become more grown and more responsible for my own life
11:33
Trey D., I like talking about this process. This ain't a radio thing
11:39
It's just a life thing for us, you know, because of our culture
11:45
We got a lot of folks that have gone down similar paths that probably don't see lanes
11:50
they might want to evolve or change themselves and probably don't see the route to it and i would
11:55
imagine going through all of that um and making this transition and taking responsibility for the
12:01
things you did in your past at some point you have to forgive yourself too right you do yeah you do
12:07
and and and the process of forgiving yourself is what goldie loke was just talking about you gotta
12:14
You got to reach out and help others and assist others with your knowledge and with your blessings and gifts
12:22
You can't just hold everything in. You know, you get more when you give out
12:28
You know, you open your palm, it's more can come in there than if you have it closed
12:34
So, you know, I forgave myself, you know, and I just I just started a better program
12:40
and the biggest thing that was challenging me was facing my past and all the people who knew me
12:49
you know, and how I was before. And it's just like, dude, you know, I'm still him
12:54
Yeah. But, you know, I'm just not walking that same path because I'm wiser and you can't be smart and act stupid
13:03
Shit, Trey D is here, man. Come on, man, the East Siders. There's a song on this project called Rag Tide
13:10
Right. And, you know, I got a lot of homies that are affiliated
13:15
You know, I'm from the Bay, but a lot of my homies here. Your boy did the track, Rick Rock
13:19
Come on, that's where you see where I was going with it. Come on, you the old Trey D. You already know what I'm doing with it
13:26
Your guy laid that out for us. Yo, that thing hit different, too
13:30
It do, it do. And I see people, you know, in the video with the rag, the whole nine
13:36
And the rest of the world really always tell folks when they try to understand the culture in L.A
13:42
that a lot of it is you kind of got to be from L.A. to get
13:47
Well, you from the West Coast, but I'm from I was born and raised in Oakland
13:51
I didn't get to L.A. I went back and forth to L.A., but I didn't live in L.A. until the 90s
13:56
Right. And even then I had to respect it, you know. And so we often ask questions. How long do people rep their rags
14:03
And what's the thought process behind that? And so I want to start with you, Goldie
14:09
Like, can you be 75 and you repping your rag? And then when did you get involved
14:14
How did you get involved? It's where you come from. You know, you're born into it
14:18
You know, it's not something that you, like, perceive to fake to earn
14:25
It's something you come up, you know, and you're from a certain section, you know
14:31
a certain side, certain color, certain neighborhood. You know what I mean
14:36
And you rep your flag. You know, you rep your set. You know what I mean
14:40
And every set has got different colors, different football teams, different M.O.'s
14:46
And I rep the gold flag, Trady rep the gray flag, Steelers and Raiders, you know, Long Beach to death
14:53
And being born into gangs you know what I mean As we start off young you know we just wild You know what I mean Then once you get up in age you start understanding like
15:05
you know, let me slow down a little bit, let me get some stuff going, you know? So, that rag mean a lot
15:10
because you carry that thing everywhere you go. That's like, you by yourself sometimes
15:15
you got that rag, you still got everybody with you. Does it mean something different, though, as you get older? Mmm
15:23
What it means is that's where you from. That's your identity. Me being Muslim now, you know, a lot of people have that question like, well, he say he's Muslim and how is he still a crip and all this
15:37
You know what? When everybody who know me see me, they don't see the Muslim
15:42
Yeah. They see Trey D from Long Beach Crip. And that's where we start off from
15:49
So once we get past that, if we get past that, if it's just not on site and we engaging, once we get past that, then they might come to know all the rest of the additions and subtractions that that comprise trade
16:05
But in the meantime, it's just like, oh, that's who he is
16:09
So you can you can walk away and say you don't acknowledge it and all that
16:14
But everyone else still does because that's how they came to know you. so your flag is always pretty much a part of it
16:21
Thank you for breaking that down, gentlemen. Eastside is up in here. Okay, let's give a round of applause for Snoop Dogg
16:28
the most popular artist to ever come out of hip-hop culture. The big dog
16:33
Got to. Got to. Give it up for Snoop Dogg. Give it up for Snoop Dogg. The most popular artist on the planet
16:41
On the planet. Snoop Dogg. Dogg father. Look how far he's come
16:44
Yeah. Yeah. It ain't over. And it ain't over. It ain't over
16:48
Feel like it just begun. Yes. Salute to that man because he's opening so many doors
16:54
and consistently has done so throughout the decades and kept the same temperament any time I see Snoop
17:01
And I've been fortunate in my career where we've seen each other in a lot of the same spaces
17:06
You know, whether it's the tours, you know what I mean? Yeah. Whether it's the White House, whatever
17:11
We done seen each other in a lot of spaces. Now he's reaching stratospheres none of us have
17:16
Right. And what I love most about it, the higher he go, the further he's reaching back
17:22
Yeah. Come on, man. Come get with this. I just reacquired death row
17:27
Yeah, man. That's exactly what he said to us. Really? Yeah. He was like, y'all get ready. You know, let me put this together
17:35
We got business to handle. Uh huh. You know, so what was his vision
17:40
Did he discuss it with you? Not really. we didn't go in detail and in depth about where he was going with the label
17:47
but just observing what he was doing and talking to him, he
17:52
he said that he was going to build this label with love to turn the negative
17:59
image into a positive. And, you know, his mom had just passed
18:05
you know, rest in peace, Beverly, not, not long after or before he acquired it
18:10
So he was like, you know, I'm not gonna present that image with this label
18:16
You know what I'm saying? I'm moving on love and peace and upliftment
18:20
and all that. And so, you know, he got a couple of people that was down to push
18:24
with him, you know, on the R&B tip and he came back and hollered at his old
18:28
squad. I mean, everybody, you know, RBX, Rage, you know, the dog pound
18:34
and, you know, he just said, you know, just be on standby. We got work to do
18:38
And he been making some great Shout out to October London, he's on the album
18:43
Jay Hancock is dope too. Oh yeah, Jay Hancock. Fire. Yeah, so he putting it together
18:49
He got his own vision for it, you know. We just as warriors
18:53
We standing next to him waiting on the call. Did it, y'all signed the death row
18:56
For this project. For this project. I like how you specified that. That's some real business shit right there. Yeah
19:02
He said for this project. Yes, sir. I like that, and I think one of the other biggest
19:10
milestones in this is, and I don't know how deep it got
19:14
but I recollect at a time when y'all wasn't always aligned. Y'all was at odds end
19:20
You like how I'm putting this? Right. You like my bird. Real diplomatic
19:24
You know I did that thing. You know you fly, Swank. You see what I know, man
19:28
Come on, man. We ain't got to go out there with it
19:32
We ain't got to go out there with it. Everybody want to go out there with it because they want to harbor on that low frequency
19:37
And I'm not saying deny what happened. And as obvious, it was conflict. True
19:41
Right? But what's bigger? Was it that conflict or is the fact that y'all came together and the outcome
19:47
The outcome. Look where we had in 2024. And so that's the lesson I think that we can learn, you know, as we OGs now
19:54
So as people, whether we trying to teach or not, they looking at us. They are. And they can say, wow, man, wait a minute
19:59
Hold up. Goldie Loke and Trey D got together. There was a little conflict between their fashions
20:06
and Snoop and Trey went through a whole lot of shit, and look, they came back together
20:11
That's grown man shit. Yeah. And that's real love. That's real love
20:15
Speak to that, man. Without a grudge. Without a grudge. Yeah, without a grudge
20:20
I like that love. But how did it get there? Did y'all have to sit down, or how did it get there
20:26
Well, I didn't speak to Snoop like the first five years of my incarceration when I went back
20:31
And I happened to call the homegirl Queen Bee. You know, she do his hair
20:36
And, you know, matter of fact, she's a tour manager now. Her position has elevated
20:40
She got a promotion. Yeah. And they were shopping somewhere in Hollywood or whatever
20:45
And she was like, his Snoop Dogg right here. I was like, oh, is that right? And she was like, yeah, yeah
20:53
Chasey, I should talk out. Trady, I don't know why. I'm like, put him on the phone
20:59
See if he'll get on the phone. So she was like, this trainee, dog
21:04
He was like, yeah, what's up with you, nephew? I said, what's up with you, kid
21:11
You know, and we just hollered and broke the ice. And, you know, he was like, you know, good to talk to you
21:17
And, you know, looking forward to, you know, repairing what went down and all that
21:22
And we realized seriously that we really love each other. So we weighed whatever happened business wise, contractually and all that
21:31
It was other people involved. And at the end of the day, I don't feel he had a malicious intent in what took place
21:39
So I was able to completely forgive him and just put everything in God's hands, say, you know, if you want me back in this circle and decipher, then that's where you're going to put me at
21:50
If not, I can transition into something else because, you know, I'm capable, you know
21:54
And, you know, we just linked up, you know, immediately when I came home
21:59
Me and Goldie had a show like maybe like two weeks after I got out. We had a show in Fresno and then one in L.A
22:06
And then we got with Dog. We did That's My Work Volume 4, the mixtape
22:11
and did a video called Get You Right. And he sat down and we had a conversation
22:15
I think it's on YouTube, whatever. And he was like, you know, it's a new day. You know, I can't carry everybody like I used to
22:21
you know everybody gonna have to figure out their way and their contribution to make things happen but you know I love y I right here for y you know and uh we gonna be a squad And that how we been moving there since I touched down Y got y groove back huh
22:36
Like a mother. Yeah! Let's go with the lead like a mother
22:42
Like a mother, man. I want to play that song, too, man
22:47
Let's play groove back. You know, I feel like that's an appropriate, you know, selection for right now
22:52
what we're doing. We got the East Side as an end here. 888-742-3345
22:58
Come on, man. Shade 45, man. The East Side as an end here
23:03
They're promoting the new EP. Still Eastie available on all platforms right now
23:08
Feels good. I'm just going to play y'all some bumps, you know, get a little bit of the flavor
23:13
what they're doing. It's very grown. Salute to the producers, because one of the things, the first thing I noticed was the mix
23:21
Yes. The mix. Dolby Atmos Shout out to Death Row Records Yo this is a class
23:28
This is a high quality Classy Produced project Thank you so much
23:35
There's no flaw in this You know what I mean Battle Cat
23:41
Rick Rock Who else Amplified Jelly Roll Quasadelic
23:50
there's one more who's the other? we got Rick Rock on there
23:56
that's it? oh Amplify did too yeah Amplify did too well done good job man
24:04
shout out to all the producers man y'all made us sound like we were supposed to
24:08
nah but what I like is we talk about I'm trying to think what artists came up
24:13
and we were talking about artists making music that they not supposed to be making
24:18
flat out. Stay diplomatic and stuff. Yeah, flat out. I try to be eloquent
24:24
Come on, Haley. Call it eloquence. People, a lot of people make music they're not supposed to be making
24:29
trying to fit in and sound like somebody else. Y'all shit sounds incredible
24:33
Like, it sounds good. I mean, for the car, for the kitchen, for the backyard, for everywhere
24:38
It just sounds really good. And like, you allowed your audience to grow with y'all
24:43
And a lot of artists don't understand that. And it just sounds good
24:47
like sonically and I think that's what Sway was saying too about the mix and everything it's just
24:52
really good and I'm I'm happy for y'all because sometimes this shit is hard people come in here
24:56
with this trash ass music and we gotta sit here and interview them and then Sway would be like
25:01
HB you got a question hell no this shit suck but he get making us answer questions you
25:06
know I'm saying so salute to y'all I'm done you always been real and raw though come on
25:11
That's real talk. That's real talk. I got to deal with this tomorrow, too, man
25:18
Y'all leave it. But it's true. And I mean, hip-hop is such a young genre
25:25
so folks just have not been given a lot of examples of what it looks and sounds like to mature within it
25:32
Good point. And so that's what y'all are providing us with, and the authenticity, it dazzles
25:38
I appreciate it, truly. But I also appreciate hearing all of this history
25:44
Because not only is it important for myself and all of our listeners, but even for y'all
25:49
Just to re-experience your growth and to reflect. And forgiving is gangsta
25:57
It is. That's heavy. But a lot of folks don't know how to do it
26:03
And Trey, I appreciated you telling us about that conversation with Snoop
26:08
And we know that the conversation is important, having that dialogue. But even still, if some folks are like, yo, let me ring my man up, my old man, whatever, and have this, they may feel all of this like tension still arrive
26:21
What can you share about how to speak to someone you've had an issue with to get to a place of forgiveness
26:29
What were some of those key lessons that you can share with us on how to forgive another
26:35
I appreciate the question. Seriously. um you just have to know inside your heart like I said I I ran over the whole situation
26:47
everything that took place all the participants involved um how loyal I had been you know how
26:55
you know um how devoted I had been to the clique and to him as a CEO as a homeboy and then I
27:06
I looked inward and I said, well, he's been the same thing to me, you know
27:11
So I could sit up here and falsely hold on to anger, like Locke said, you know, with no grudges
27:20
I could have held a grudge, but I would have had to hold a grudge on myself, too
27:25
because it was a contractual issue and I didn't have to sign it
27:31
So I had to take some accountability in that situation. and in doing so, I really realized that among everything else
27:40
and above everything else, I would rather be his friend and his brother than his enemy
27:48
There it is, man. Wow, Trey, that's beautiful. You want to hug him, Tracy
27:52
I do, I love you. Bill Trey, right, come on. Okay, we got the east side of this here
27:59
Go ahead, man, that's a pool room. His wife right there, be careful. Doggy's angel
28:04
She go way back. No enemy, Sway. I go way back. Brotherhood and sisterhood
28:09
Brotherhood and sisterhood. She stop smiling. Yeah, I'd rather be a sister than an enemy
28:17
She knows. I'm joking. I'm joking. Yo, we got Isaiah and Washington on the line
28:23
What up, Isaiah? Where you at, D.C. or Washington State? What up, family
28:27
Washington State. Washington State. But I'm from the LBC, though. OK. He righteous
28:32
He righteous. What's up, homie? Yeah, what's up? Trey D, this T-Cup
28:37
What's up? Yo, yo. What's up, Lopette? Cup, what's up? Jody Lope, what's up, cuz
28:42
Man, hey, you guys are pushing it, cuz. I'm so proud of y'all s, man
28:46
Keeping the line, pushing the line and putting out all this quality music
28:51
Hey, y'all doing the damn thing, cuz. Appreciate you, homie. Glad you feeling it out there
28:57
Hey, Isaiah, you a citizen, man. Hey, man, and send me that dictionary, that talk y'all just
29:05
Y'all went into a whole different language. I'm like, I've been talking to these dudes 30 minutes
29:13
All right, Isaiah, you a citizen, man. All right, he signed up
29:17
He signed up. We got Tony Boy on the line from Long Beach. What up, T
29:21
What up, Tony Boy? What's up? What's up? What's up? East Siders
29:27
What's up with it, homie? This Tony Boyd, man, Long Beach. So what I want to say first off is Sway, big ups to you, man
29:37
You know what I mean? Thank you, brother. Bringing in just the whole hip-hop community on all sides
29:43
east side, west side, south side, north side. Sway always showing love to all the hip-hop community
29:51
True that. And we'll be riding to work right now, you know, coming from the east side
29:55
Coming from 19th to Myrtle, 16th to Cedar, you know what I mean
29:59
I grew up in the 80s undercast like Trey D, Big Cup, Junebug, Lay
30:09
They kept the drama away from me to where I could, you know, I did my dirt
30:13
but what I learned in the hood got me in corporate America
30:18
And what I did with that game that I got from my hood from Long Beach, what you got to know about Long Beach, it produces a gang of hustlers
30:26
a gang of go-getters. And once you become that go-getter, you got to learn how to be a go-giver
30:33
And what that means, you go back to where you come from, like I did
30:37
when I got the knowledge to say, hey, y'all cats, we've been living here all our life
30:42
Our mama didn't have shit. Our daddy didn't have shit. But we got a chance to get some shit
30:47
I went and got some shit, which was education. Came back to the hood and say, look, I'm going to move you out the hood
30:53
I moved Junebug out the hood. But I moved Lave out the hood because I didn't got a real estate license
30:58
I wouldn't got an insurance license. But the game that I got came from cats like Goldie and Trady and, you know
31:05
Big Cup and, you know, Dan Tenna. And, you know, I can go on and on and on and on
31:10
But I was 12. These guys was 18 and 20, 21. You know what I mean
31:16
I was around in Beach City when all Beats was just one city
31:20
It wasn't, you know, we had two hoods, but we was together. just like Goldie Lopes and Trady is right now
31:26
Yeah. That's how we was in the 80s. Shorter to shoulder. You know the script
31:30
That's what's happening. For sure. And I'm going to say one more thing
31:35
I remember when Trady, you first got on a song and it hit this radio
31:43
And you had about 16 bars on there. We went to, me and Phil, my cousin Demetrius Meach
31:48
used to be Baby C-Daw. We went to Chuck E. Cheese for C-Daw, rest in peace, his daughter's birthday or something
31:54
And we seen you. And you was like, man, y'all like that song? He was like, man, that was some heat
32:01
And the way you lit up, Stradie, about our response showed me that you was real with what you was doing
32:08
Wow. That's amazing. That's a good memory, man. It was weird. I was like, you know, that was over, you know, 20-something years ago, man
32:17
But I always remember you from that moment. You know, I've seen you other times at Doghouse, you know what I mean
32:22
But, you know, everybody was doing what they do. Tony Boy. I got one more Bob
32:27
Nah, Tony Boy. We ain't about to hang up on you, T. We got a show about to end, though. I was trying to jump in
32:31
Yeah, man, you a citizen, though, Tony Boy. I was trying to jump in. You went 45 seconds too long
32:37
We had Tony Boy and Sway in the morning. I'm a guest. 45 seconds too long, T
32:44
Much respect, bro. Much respect, bro. Yo, I want to do a couple more questions, but then I want to have some fun, man
32:51
The way we do it. You know what I mean? We came up in the 90s, man. You'll be surprised how many artists come up here and they scared to look me in my eye
32:59
because they think I'm going to ask them to rap. Shit. Yo, Fuzzy, it's unbelievable
33:05
Unfortunate fact. It's unbelievable, right? And I'm not even on that. Right, right
33:10
I'm just doing what we do in our culture. I ain't trying to force you to do nothing
33:14
This was regular procedure back in the day. You needed to do this to get in
33:18
Yes, you did. You couldn't just make a hit record. You didn't get props just because you made a hit record
33:23
You had to show a skill set alongside that hit record, right? True that, yes, sir
33:26
But he said something really, Tony Boy, really interesting, that he got the game from y'all
33:31
And I want to say Gangstified, is that the track? Gangstified. Oh, yeah. Yeah
33:35
And, Goldie, you talk about getting the game from OGs when you were 15 in that, right
33:43
Yeah. That was one of your lyrics, right? Yeah. Speak to that like what kind of game what is getting game Like is it to me is it teaching somebody how to rob steal and kill Or is it teaching somebody how to what is getting game
33:57
To hustle. Okay. To hustle, you know what I mean? And stay cool doing what you do
34:03
Don't cross certain lines. You know, avoid drama. And learn from the Gs a certain way
34:12
Take it, do your thing, you know what I mean? add your little spin to it, whatever, whatnot, but just keeping it solid
34:18
Keeping it solid. Learning how to hustle the right way, you know. Yeah, and to the OGs, it's important for us, you know
34:27
and I put myself included, to be educated in different ways. I don't mean going to school, but, you know
34:34
the advice you might give yourself might not be the advice you want to give a young man who's coming up, right
34:39
And being an OG, you have to learn, use your discernment where you're going to place your gems
34:44
because you don't want to lead somebody in a direction you know it's going to be a detriment to their life
34:48
So we got a responsibility too as an OG. You agree with that
34:52
I do. I do. I agree wholeheartedly with that. And, you know, my thing is as an artist, though
35:01
I'm not raising your kids. That part too? You know what I'm saying
35:06
Don't look for me to, well, you're older now, so, you know, we want to know about your life
35:12
and, you know, peace and, you know, what you do on your downtime
35:17
and, you know, all this. Man, damn all that. I'm not into that
35:21
I'm into this microphone up when I get on it. So don't, you know, don't look for nothing else for me
35:28
If you're looking and waiting to criticize me for my message, you know, my perspective on shit and all that
35:35
have at it because I'm going to stay me. Yeah. East Siders
35:40
And you do have a responsibility, but that responsibility comes when you know someone, like you say, you don't just leave your jewels everywhere
35:48
If you know the jewel that you're handing out will be well-received and acted upon, then those are the people you share with
35:56
That's like a more private situation to me. Publicly, I don't give a about shit
36:03
So that's what you're going to get from me when I get on the microphone
36:06
Okay, so you and Heather went to school together. You and HB graduates
36:13
Y'all walked the stage together. Heather gave you the diploma. The other thing I got to ask you this, man
36:20
It's just a history lesson for me. You know, just being in this culture for so long
36:25
Bro, I was sitting right behind Dave Mays in 1995. Madison Square Garden
36:33
Oh, man. I was right behind the founder of the Source Magazine
36:38
I couldn't believe I was in the garden, me and King Tack, bro
36:41
We was like, damn, what the, you know. And I saw it
36:45
Andre 3000 went out there and said, the South got something to say
36:50
I saw it. I was there. And then I saw Suge stand up to receive an award
36:58
And when he stood up, because I don't think people knew how big he was at that time
37:03
The whole garden went. Right, and then he said what he said about producers and dancing and the whole nine
37:13
You were there. Yes, I was. You were there, bro. Yes, I was
37:17
I'm not able to talk to a lot of people about what that experience was like in person
37:22
because not everybody, this is 95. Were you there after? Were you out there? No, I was watching it on TV
37:28
Okay. Fuzzy, were you there? You was in the building, right? Yeah, yeah. Yo, what
37:32
I left early, though. You had to. Yeah, what? What We had to Yeah Don Cornelius rest in peace was there Salt and and Puffy was over there Everybody who was anybody in hip damn near was in there
37:49
Wu-Tang came through there. That's when I really found out how damn deep Wu-Tang was
37:56
Man, they was about a half a mile long. Wu, Wu, Wu, Killer B, Killer B
38:01
Wu, Wu, Wu, Wu-Tang, Wu-Tang. I'm like, goodness gracious. Yeah, it was
38:07
Did y'all know that was going to happen or that was just off the cuff? That was off the cuff
38:11
See, well, if you recall, we had been shooting dice in the back
38:16
It was a few of us that were shooting dice in the back before the festivities began
38:20
So it was like, all right, everybody, the show for the start
38:25
So when we went back out to the seats, you know, it was East Coast, West Coast
38:33
East Coast West Coast And that went on for about a minute
38:39
and a half And I stood up on the chair and I threw up the dub
38:44
I said, West Coast And they said This crazy Alright, let's go to the show
38:51
And from that point on they had the cages on the stage
38:56
You know, it was a great night for hip hop I'll tell you that because
39:01
you know, nobody wasn't pulling no punches. It was like everybody was being who they were
39:06
And for the first annual award, it was a little bit of tension and animosity
39:14
but it was more love in the room. It was more love. And that's when Snoop said
39:18
the East Coast ain't got no love for Snoop Dogg. And Dr. Drake
39:23
Yeah. And then everybody, oh! Bro, me and Tech, we were standing by the door
39:29
I was like, bro, call. Yeah, because it looked like it could have went up at any minute
39:34
At any minute, right? But it turned out it was an amazing experience. Man, I just wanted to have..
39:39
I wanted to be able to have that conversation with somebody. I was there
39:43
God damn it, man! Yeah, sir, it was live. It was live
39:47
And then we did the other one out here in Pasadena. That's right, yeah
39:51
When we got into it on the stage with Death Row or whatever
39:55
and they turned it out and all that. But yeah, it was..
39:59
You said exactly the smile. It was a good evening. Yo, man, listen, man
40:06
The East Side is right here, man. The new project is called Still Easty
40:10
Sounds amazing. It sounds amazing. This is right on time for the holiday
40:15
You can have this in the background music when you're eating your turkey or whatever, however you celebrate
40:20
But the one thing I know about them, man, they're true. They're genuine through thick and thin
40:25
It's great to see you two men together on this path. We got more work to do
40:30
We out here. This is the first of many interviews, okay? Yes, sir. And y'all used to listen to Sway and Tech in the Wake Up show when he was in L.A
40:37
Yeah, sure, right? Come on. You know what we did on that show, right, dear Trey D
40:41
Yeah, I did. I ain't got to really re-explain this to you, do you? Sure, though. Okay, okay
40:45
Well, shit. You know, we do it a little different now, but still, it's the same premise
40:49
The East Siders. Welcome to the Valley of the Highland. Yo, Severe, throw a beat on, man
40:59
Your volume right there. 3D Check it Check it Bringing this on some gay shit
41:07
Cause that's all I do That's what I live for That's what I represent
41:12
Check it out I say like this Live by the code Die by the gun
41:19
Stick to the script Ride or you run It's cold on these streets
41:23
You hold on your heat Your goals is complete Once you foresee defeat
41:26
You lock down the block It all money in The clock nonstop till you ball and you win OGs run the pen The young run the rest You earn and deserve what becomes of your rep
41:37
And none on the set above getting checked. It's love and respect
41:41
or get slugs in your chest. The status of a G. You playing from your birth
41:45
You take what you want and mash for the turf. Modeling the creed is
41:49
to follow when you leave. G's up to the G's
41:53
Yeah. Come here. Trey D. What? We got a hyena in here. But, go down
41:59
Hey. Check it out. Yeah. Come on, love. Instead of giving it to you, I'd rather show you how to fish or you can never go hungry and you can eat your own dish
42:09
Take trips, flip bricks into Prince State. They ain't listening to Nate
42:13
The game don't wait. Watch me get my M-Vone on and you can have a pair of these nuts for you to swing on
42:20
Ding, dong, I'm rocking your bell. There's too many of these broke dudes pulling on my coattail
42:24
You gotta have a mission detail plan Unless you wanna still be running
42:28
From the pig man I come from the sand of the beach And I ain't never been jealous
42:33
Cause you got more than me Prosperity uprides the unwise We goin' in stink
42:38
That's how they dehumanize Just a little game from the low Invest in yourself so you can never go broke
42:45
No joke Insiders, insiders, hold up Right Hold on, man Y'all don't get to see y'all live, man
42:52
Severe, you got that next beat right here This is what we're going to do right here. Come on, man. Let's go to work
42:57
Let's go to work. Yeah. Got to take it to the east
43:00
Come on, man. Give it to the GOAT. Shout out LL. And I'm from East Oakland, just in case y'all
43:05
Shut up, man. Come on. I got to let this beat run by one more time
43:11
Come on, man. Let it rock, man. Come on. We got Trey D up in here. We got Goldie Lowe
43:15
Oh, yeah. East side is LBC. Let me check y'all do it. My heater part of me like my leg or my arm
43:21
My better be hard or he get left from his yard. Bullet holes in his clothes cause I chose to offer him
43:26
Disintegrate his face, make him close his coffin Stalking mothers in this concrete jungle
43:31
Stay on him cause I'm hungry, I cannot be humble I pray to God forgive me on the day of my judgment
43:36
For living like a gangster always staying on thug shit s that I with, nothing can stop us
43:41
Young G's replace who are dying to lock up Four fives, tray five sevens and nines
43:46
And ready with that heavy shit with everyone ride We got shells, vest, masks, extra clips and brownies
43:51
You ain't with it , get the from around me Set tripping, wet dipping, cripping and locked out
43:56
Sagging in my khakis, always dogging the hoes out Trade these stagey, it's no question
44:00
Regarded the hardest and no less than Solid as a rock on the blocks, I hang on
44:05
Stay strong, way long, getting my bang on Ain't never been a bustin' scared to put in work
44:10
Cuz the turf come first, love doing the dirt done Killing instincts, the only way I survive
44:15
It's hard on the streets just staying alive and do a dot Come on, man, Eastside
44:21
Come on, man! You got one more? You got one more? Good
44:25
Yeah, good. Okay, go D-Low. Come on, man. He's sliding in the building
44:29
Listen, I got to put my sunnies on. They shining up in here, baby. Come on, man
44:34
I got a place. They shining up in here. We got a hyena up in here
44:38
We got two of them. We got two of them. Come on
44:42
You know what it is. Man, man, I just want to tell you, man, I'm going to tell you in public I love you, Trey
44:47
I love you too, Trey. You're my brother, man. I love you, man. Been solid, brother
44:52
We ain't never had nothing but love. Oh, man, I appreciate that. Since day one
44:56
Day one. Yes, sir. Tell infinity, Goldie Loke, I love you, brother. If I never told you before, man, I'm going to shake your hand and tell you that
45:03
All right? And I'm happy for y'all. Appreciate you, brother. Genuinely happy for you
45:07
Yeah. Yeah. No doubt about that. And that's the key, being genuinely happy for somebody
45:13
That's a congratulator. And you always should have the spirit of a congratulator because when you congratulate
45:19
you don't hate. There you go, man. We're going to end the show like that